ALTHEA TALBOT-HOWARD
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​Consortium Information

Byzantion IV - Apokalypsis

CONSORTIUM OPEN!
​

​SCROLL DOWN for DATES, JOINING 
FEES & BENEFITS PACKAGE!

"Turning & turning in the widening gyre,
The falcon cannot hear the falconer."


​​W.B. Yeats - The Second Coming (1919)
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BYZANTION
A New Cycle of Works for Cor anglais (EH), Bassoon & Piano, in Varying Combinations
Byzantion IV is the final piece in a cycle of works referencing the Byzantine Empire; Byzantine art, aesthetics, church chant and mosaics; and three poems by W. B. Yeats: Sailing to Byzantium, Byzantium, and The Second Coming.  These artistic influences impact upon each part of the cycle, in different ways.

​General information can be found on 
​ABOUT BYZANTION; detailed information on each piece's feature page. 

BYZANTION I - HAGIA SOPHIA (2022) for English Horn, Bassoon & Piano
BYZANTION II - THROUGH SPACE & TIME (2024) - Bsn & Pf
BYZANTION III - DOLPHINS (2025) - EH & Pf 
BYZANTION IV - APOKALYPSIS (2026) - EH, Bsn & Pf

Watch Byzantions I & II here, &
​SAVE THE DATE for the Byzantion III World Premiere!
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BYZANTION IV 's Yeats Poem is
The Second Coming (1919)


Turning and turning in the widening gyre,
The falcon cannot hear the falconer.
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,

The blood-dimmed tide is loosed, and everywhere   
The ceremony of innocence is drowned;
The best lack all conviction, while the worst   
Are full of passionate intensity...

Byzantion IV - Apokalypsis
for Cor anglais (EH), Bassoon & Piano
​

​​WANTED!!  
Co-commissioners to give ​REGIONAL & NATIONAL PREMIERES, 2026-27

OPENS: Saturday 11 October 2025
PHASE 1 CLOSES: Friday 31 October 2025
PHASE 2 CLOSES: 31 March 2026

World Premiere TBC: IDRS Conference, Miami University, Ohio, USA, July 2026

PDF Score & Parts sent out by email: from Friday 07 August 2026

Exclusivity Period: Until 01 July 2027
​N.B: Only co-commissioners may play the piece during the exclusivity period.
​
​Co-commissioners’ names to be listed at the front of the score, & here. ​ The image shows the recent score dedication page for Byzantion III.
​
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SEND A MESSAGE TO...
JOIN THE CONSORTIUM

JOINING FEES
PHASE ONE (incl. DISCOUNTS & BENEFITS)

​Early-bird Rates (until 31 October)
Professional: $105.00/
£79.50
Student: $75.00/£57.50
To discuss
JOINING AS AN ENSEMBLE...

CONTACT
(Established ensembles, only)
​
PHASE TWO (STANDARD RATE ONLY)

​01 Nov '25 - 31 March '26

​Professional Rate: 
US$135.00/£102.50 
Student Rate: $105.00/£79.50

The consortium will remain open until 31 March 2026, at the standard rate.

​Score discounts will not be available, during this time period.

BENEFITS PACKAGE (PHASE 1, ONLY)
Co-commissioners are offered 33% OFF any of the following PDF scores & parts:

Piano Trio
Byzantion I – Hagia Sophia

Bassoon & Piano
Byzantion II - Through Space & Time 


Oboe & Piano
Ego Flos Campi 

Oboe & Piano 
The Deep River Sonata (Samuel Coleridge-Taylor arr. AT-H)
​

Discounted score orders can be placed when joining the consortium, or any time during Phase 1. However, they must be paid for by 31 October, as scores will revert to full price on 01 November. Many thanks.

N.B. Byzantion III - Dolphins is currently under exclusivity: available June 2026. 

SEND A MESSAGE TO...
JOIN THE CONSORTIUM
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Based in London, England, international prizewinning musician Althea Talbot-Howard is a classical composer who began her professional career in 1992 as a soloist and orchestral guest principal. In 2005, Gramophone Magazine called her “a superb oboist”.  A graduate of Girton College, Cambridge and the Royal Academy of Music; she won Third Prize in the Paris-Ville d'Avray International Oboe Competition in 2007; and was one of twelve equal prizewinners in the Ora Singers Christmas Gift Composition Competition in 2019. 
​​
Of Afro-British ancestry, she is a 12th-generation direct descendant of King Charles II, who formalized Britain’s involvement in the Atlantic slave trade; and therefore a 14th-generation descendant of King James I & VI, who commissioned the Authorized Version of the Bible.  Both anti-slavery and 
Christian themes feature strongly in her compositional output. 
  • Home
  • Featured Works
    • List of Works by Instrument
    • List of Works by Theme
    • Solo Works (1 player) >
      • Fantasia Dodecaphonica
      • Fantasia La Folia
    • Duo Recital Works - Easy to Intermediate >
      • Chanson de l'Eternel II
      • The Church at Errislannan
      • Deep River
      • Prelude The Seafront & Vallum Mare
      • Thata Nabandji
    • Duo Recital Works - Advanced >
      • Byzantion 2 Through Space and Time
      • Deep River Sonata
      • Dolphins
      • The Door of No Return
      • Ego Flos Campi
      • The New Chevalier Sonata
      • Troparion
    • Duets >
      • On Walmer Beach
      • Three Country Dances
    • Chamber Music (3+ players) >
      • Byzantion Hagia Sophia
      • Rievaulx
      • Seville Cathedral
      • Three-Ply Yarn
      • Trans-Atlantic Triptych
    • LIFT: Solos for Horn by Black Composers
  • About
  • Events
  • Byzantion
    • About Byzantion
    • Consortium INFO
    • Members
  • ABRSM-AMEB
    • ABRSM Grades
    • 2026 Woodwind Syllabus
    • Strings and Piano (2023-26)
    • 2022 Woodwind Syllabus
    • ABRSM DIPLOMA
    • AMEB DIPLOMAS
  • Press, Gallery & More
    • Ask Althea
    • Press
    • Gallery
  • IDRS & Various
    • Fantasia La Folia Consortium (2023-2024) >
      • Commissioners
      • Consortium Information
      • Fantasia La Folia - Original Page
    • IDRS 2024
    • IDRS
    • Programme Notes
    • 2022 Conference Images
    • BC 365
    • IG Archive
  • CDs
    • From Leipzig to London Oboe CD
    • Seville Cathedral Composition CD
  • Synch Licensing
  • Score Purchase & Contact