ALTHEA TALBOT-HOWARD
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Fantasia - La Folia


Recent Work (2023)

Fantasia - La Folia
for Solo Woodwind

​Duration: 8 mins; Level: Advanced
​
​​
INSTRUMENTATION
OBOE, FLUTE, BASSOON, SAXOPHONE, RECORDER
A new solo fantasia launches from the principal theme of Marin Marais' renowned work, Les Folies d'Espagne (1701) - and lands in a fiery extravaganza of notes!

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Althea introduces Fantasia - La Folia on a recent Instagram  carousel post
​WATCH Rachel Becker's recent recording in stunning New College Chapel, Oxford
View this post on Instagram

A post shared by Althea Talbot-Howard (@altheatalbothoward)


Multi-Instrumental Videos
Conor Bell, Bassoon
Joshua Thomas, Alto Sax
​Amelia Johnson, Oboe
​Michele Colombo, Bassoon
PURCHASE SCORE

PDF & Printed Editions
CLICK ON THE SCORE IMAGE 
​to 
purchase a PDF 
​£10.95 (approx. US$13.75)
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Oboe/Sax PDF Edition
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Bassoon PDF Edition
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Flute PDF Edition
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Alto Recorder PDF Edition

CLICK ON THE SCORE IMAGE
to purchase a PRINTED Edition
  £14.50 (approx. US$18.25)
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Oboe/Sax PRINTED Edition
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Bassoon PRINTED Edition
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Flute PRINTED Edition
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Alto Recorder PRINTED Edition

Commissioning Consortium & Premieres
Lead Commissioner: Dr. Rachel Becker 
Senior Commissioner (Bassoon): Dr. Conor Bell
​
List of Co-Commissioners
Senior Commissioner (Flute): Dr. Nicole Molumby
Senior Commissioner (Saxophone): Dr. Joshua Thomas
​
List of Co-Commissioners

Performance History
Rachel Becker: WORLD PREMIERE, 03 November 2023, Idaho, USA
​Conor Bell: Bassoon World Premiere, 12 November 2023, Texas, USA
​​Joshua Thomas: Sax World Premiere, 11 March 2024, Connecticut, USA
Blake Johnson, Oboe: Kentucky Premiere, 29 January 2024 ​

​Theresa Delaplain, Oboe: Arkansas/SHE Festival Premiere, 01 March 2024​
​
Martin Van Klompenberg, Bassoon: North Dakota Premiere, 19 March 2024
Amelia Johnson, Oboe: Iowa Premiere, April 13 2024 
​Rachel Becker & Keith 
Sorrels, Oboes: IDRS Premiere, Arizona, 24 July 2024

Sarah Roper, Oboe: Spanish Premiere, ADCS, Seville, 02 March 2025
Forthcoming Performances
Annabelle Duxbury, Alto Saxophone: British Premiere, 12 June 2025, Greenwich, London, UK
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Reference Videos

Composing
Fantasia - La Folia
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When oboist Rachel Becker and I performed two of my original works together at Newnham College, Cambridge in May, she also played some solo couplets from Marais' Les Folies d'Espagne, using an edition in G minor.  It was lovely to hear this piece again - and played so stylistically - after having performed it so many times myself, in my previous oboe recital career.
​
In early August, she told me that she had a Marais project planned, involving a concert in November, for which she wanted some women composers to compose one couplet each.  I was very interested, but unconvinced that I could do precisely what she asked – for the simple reason that I had performed the piece so often, that I would have to work very hard to avoid pastiche.  Les Folies is embedded into my body and memory. 
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​​Therefore, I thought that my best option would be to compose another fantasia - a companion piece to Fantasia Dodecaphonica - but not to tell her what I was doing, unless I felt that it was coming out alright.  The beginning of the piece involved several re-writes, as it took me a couple of days to get a handle on the best approach to the material.  Once I was halfway through, in mid-August, I let her know what I was up to! 
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La Folia/Les Folies d'Espagne - What was it?
​

 "What is nowadays to please all the fashionable people must, as a rule, be Les Folies d'Espagne. The Folly is now coming into such vogue that everybody wishes to adorn himself with it, in dancing, playing, and singing. To make myself agreeable in all matters, I will for once join in the Spanish folly. Holla laquais! Apporte la Guitarre!"
Johann Philipp Förtsch Die grossmuthige Thalestris oder letzte Königin der Amazonen ' (Opera, 1690)

On July 24 of the year 1689, in which D' Anglebert published his " Pièces de Claveçin," Madame de Sévigné wrote to her daughter, Madame de Grignan, about a gentleman as follows : " II dąnse ces belles chaconnes, les folies ďEspagne, mais surtout les passepieds avec sa femme, d'une perfection, d'un agrément qui ne se peut représenter."


​​Both quotes: Fr. Niecks, Les Folies d'Espagne: A Study, The Musical Times, 1888 (JStor)
Les Folies d'Espagne represents a long trend in classical music, that took off in the sixteenth century; enjoyed its heyday from 1672-1748; and persisted into the twentieth century, via a composition by Rachmaninoff.

It appears that musicologists lack complete clarity as to the precise musical meaning of the word fol
ies/folia/follia. The persistent belief is that the music originated in a Portugese folk dance that spread to Spain, and then throughout Europe - even as far afield as the United Kingdom and Sweden. In the former country, versions of the dance were known as Faronel's Ground. One characteristic of the dance is thought to have been an increasing sense of abandon, with the music becoming faster and more frenetic, as the dance progressed.  This increase in speed (usually via increasingly shortened note lengths), and variations in metre, are characteristic of most sets of folia variations.  It is a feature which I also include in my fantasia, which finishes with an extended virtuosic flourish.

Musicological analysis divides the folia into two distinct phases: pre-Lully's set of variations published in 1672 (early); and post-Lully (later).  The later folia - to which Marin Marais' piece belongs - was characterized by a standard, 16-bar chord progression with a fairly-standardized melody.  After the initial statement of the theme, the composer would write 24 or 32 couplets (divisions/variations) over the chord progression.  It is thought that at least 150 composers wrote pieces relating to la folia!  The most famous mid-Baroque versions of these were composed by Corelli, Marais - and, later, Vivaldi.  The theme would frequently be repeated at the end of the piece, bookending the set of divisions.

In order to avoid pastiche, I have not adopted the traditional approach to the folia couplet: neither have I retained the standardised chord progression of the later folia.  If you would like to find out exactly what I have done, the piece becomes available for general purchase in November 2024.

The most famous set of folia variations for woodwind is Les Folies d'Espagne (1701) by Marin Marais (1656-1728).  Although the piece was modelled on the bass viol (see photo, top), Marais intentionally produced multi-instrumental scores, and even mentioned the oboe as being one of the instruments that could play the piece.  
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Based in London, England, international prizewinning musician Althea Talbot-Howard is a classical composer who began her professional career in 1992 as a soloist and orchestral guest principal. In 2005, Gramophone Magazine called her “a superb oboist”.  A graduate of Girton College, Cambridge and the Royal Academy of Music; she won Third Prize in the Paris-Ville d'Avray International Oboe Competition in 2007; and was one of twelve equal prizewinners in the Ora Singers Christmas Gift Composition Competition in 2019. 
​​
Of Afro-British ancestry, she is a 12th-generation direct descendant of King Charles II, who formalized Britain’s involvement in the Atlantic slave trade; and therefore a 14th-generation descendant of King James I & VI, who commissioned the Authorized Version of the Bible.  Both anti-slavery and 
Christian themes feature strongly in her compositional output. 
  • Home
  • Featured Works
    • List of Works by Instrument
    • List of Works by Theme
    • Solo Works (1 player) >
      • Fantasia Dodecaphonica
      • Fantasia La Folia
    • Duo Recital Works - Easy to Intermediate >
      • Chanson de l'Eternel II
      • The Church at Errislannan
      • Deep River
      • Prelude The Seafront & Vallum Mare
      • Thata Nabandji
    • Duo Recital Works - Advanced >
      • Byzantion 2 Through Space and Time
      • Deep River Sonata
      • The Door of No Return
      • Ego Flos Campi
      • The New Chevalier Sonata
      • Troparion
    • Duets >
      • On Walmer Beach
      • Three Country Dances
    • Chamber Music (3+ players) >
      • Byzantion Hagia Sophia
      • Rievaulx
      • Seville Cathedral
      • Three-Ply Yarn
      • Trans-Atlantic Triptych
    • LIFT: Solos for Horn by Black Composers
  • About
  • Events
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    • Byzantion II - Through Space & Time >
      • About Byzantion
      • Consortium INFO
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    • Fantasia La Folia Consortium (2023-2024) >
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  • ABRSM-AMEB
    • ABRSM
    • 2026 Woodwind Syllabus
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  • Press, Gallery & More
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    • From Leipzig to London Oboe CD
    • Seville Cathedral Composition CD
  • Synch Licensing
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